Supertramp are an English rock band formed in 1969 under the
name Daddy before renaming themselves in early 1970. Though their music
was initially categorised as progressive rock, they later incorporated a combination of traditional rock, pop and art rock into their music. The band's work is marked by the songwriting of founders Rick Davies and Roger Hodgson and the prominent use of Wurlitzer electric piano and saxophone.
While the band's early work was mainstream progressive rock, they
would enjoy greater commercial success when they incorporated more
conventional and radio-friendly elements into their work in the
mid-1970s, going on to sell more than 60 million albums.[1][2][3] They reached their commercial peak with 1979's Breakfast in America, which has sold more than 20 million copies.[4] The lineup with Davies, Hodgson, John Helliwell (woodwinds, keyboards, synthesizers, vocals), Bob Siebenberg (drums) and Dougie Thomson (bass) achieved international success from the album Crime of the Century to ...Famous Last Words....
Though their albums were generally far more successful than their singles,[5] Supertramp did enjoy a number of major hits throughout the 1970s and 1980s, including "Bloody Well Right", "Give a Little Bit", "The Logical Song", "Goodbye Stranger", "Take the Long Way Home", "Dreamer", "Breakfast in America", "It's Raining Again", and "Cannonball".
The band attained significant popularity in the United States, Canada,
Europe, South Africa and Australia. Since Hodgson's departure in 1983,
founder Rick Davies has led the band by himself.
1969–1972: Early years
In 1969 Stanley 'Sam' August Miesegaes, a Dutch millionaire, ceased
financial support to a band called The Joint as he was disappointed with
them. He offered Swindon-born keyboardist Rick Davies, whose talent he felt had been "bogged down" by the group,[6] an opportunity to form his own band, again with Miesegaes's financial backing.[7] Davies assembled Roger Hodgson (bass and vocals), Richard Palmer (guitars), and Keith Baker (percussion) after placing an advertisement in the weekly music newspaper, Melody Maker.
Davies and Hodgson had radically different backgrounds and musical
inspirations: Davies was working class and fiercely devoted to blues and jazz, while Hodgson had gone straight from private school to the music business and was fond of pop and psychedelia. Despite this, they hit it off during the auditions[8]
and began writing virtually all of their songs together, with Palmer as
a third writer in the mix. Since none of the other band members was
willing, Palmer penned all their lyrics.[9]
The group initially dubbed themselves Daddy. Baker was almost
immediately replaced by former stage actor Robert Millar (b. 1950),[10] and after several months of rehearsal at a country house in West Hythe, Kent, the band flew to Munich for a series of concerts at the P. N. Club.[11] One 10 minute performance there of "All Along The Watchtower" was filmed by Haro Senft (Supertramp Portrait 1970).[12]
The rehearsals had been less than productive, and their initial
repertoire consisted of only four songs, two of which were covers.[11] To avoid confusion with the similarly named Daddy Longlegs,[11] the band changed its name to "Supertramp", a moniker inspired by The Autobiography of a Super-Tramp by William Henry Davies.[13]
Supertramp were one of the first groups to be signed to the UK branch of A&M Records and their first album, Supertramp,
was released on 14 July 1970 in the UK and Canada (it would not be
issued in the US until late 1977). Stylistically, the album was fairly
typical of progressive rock of the era and Supertramp's sound bore
obvious similarity to their British progressive rock predecessor Cressida.[citation needed] Despite receiving a good deal of critical praise, the album did not attract a large audience.[11]
Dave Winthrop (flute and saxophone) joined the group after the release of the first record and soon after Supertramp performed at the 1970 Isle of Wight Festival.
The membership continued to change in the six months following the
album's release; Palmer left the band due to personality conflicts with
Davies and Hodgson,[9][11] followed by Millar, who had suffered a nervous breakdown following a disastrous tour of Norway.[5]
For the next album, Indelibly Stamped, released in June 1971 in both the UK and US, Frank Farrell
(bass) and Kevin Currie (percussion) replaced Palmer and Millar, while
Hodgson switched to guitar and Davies served as a second lead singer.
With Palmer's departure, Hodgson and Davies wrote the lyrics for this
and the band's subsequent albums. The record sold even less than their
debut.[5] In the aftermath, all members gradually quit except Hodgson and Davies,[14] and Miesegaes withdrew his financial support in October 1972.[11]
1973–1978: Initial success and commercial breakthrough
A search for new members brought aboard Dougie Thomson
(bass), who had done stand-in gigs with the band for almost a year
before auditions resumed. In 1973, auditions restarted and introduced Bob Siebenberg (initially credited as Bob C. Benberg; drums & percussion) and John Helliwell (saxophone, other woodwinds, occasional keyboards, backing vocals), completing the line-up. Hodgson would also begin playing keyboards (particularly the Wurlitzer electric piano) in the band in addition to guitar.[14] This lineup of Supertramp would remain in place for the next ten years.
Meanwhile, the bond between Davies and Hodgson had begun weakening.
Hodgson mused, "There's a very deep bond, but it's definitely mostly on a
musical level. When there's just the two of us playing together,
there's an incredible empathy. His down-to-earth way of writing, which
is very rock 'n' roll, balances out my lighter, melodic style."[15]
Over Supertramp's history, their relationship would be amicable but
increasingly distant as their lifestyles and musical inclinations saw
less and less overlap. Their songwriting partnership gradually
dissolved; though all of Supertramp's songs would continue to be
officially credited as "written by Rick Davies and Roger Hodgson", most
of them were written by Davies or Hodgson individually.
Supertramp needed a hit record to continue working, and finally got one with Crime of the Century. Released in September 1974, it began the group's run of critical and commercial successes, hitting number 4 in Britain,[16]
number 38 in the USA, and number 1 in Canada. The album underlined its
ambitiousness: Many of its songs were heavily orchestrated, and some
even featured Davies and Hodgson singing in dialogue, such as the 1975
UK Top 20 single "Dreamer". US listeners preferred its B-side, "Bloody Well Right", which hit the US Top 40 in May 1975 and would be their only hit in the country for more than two years.[17] Most of the band have said they feel they hit their artistic peak on this album,[citation needed] though their greatest commercial success would come later.
With a hit album under their belt, pressures on the band increased, and the followup Crisis? What Crisis?
had to be recorded in the few months between two scheduled concert
tours. As a consequence, most of the material consisted of leftover
songs from Crime of the Century, and decades later the band would continue to regard the album as one of their worst moments.[18][19]
Despite Supertramp's own misgivings, the album was well received by
critics, and when released in November 1975, it broke both the UK Top
Twenty[16] and the USA Top Fifty in spite of its singles all being commercial flops.
The following album, Even in the Quietest Moments..., released in April 1977, spawned a hit single with "Give a Little Bit"
(no. 15 US, no. 29 UK), first written by Hodgson at 19- or 20- years
old before introducing to the band for recording five to six years
later.[20] As usual, the popularity of the album itself eclipsed that of its singles, and Even in the Quietest Moments... hit no. 16 in the USA[21] and no. 12 in the UK.[16] During this period, the band permanently relocated to Los Angeles, California.
1979–1988: Superstardom
The band's switch to a more pop-oriented approach peaked with their most popular album, Breakfast in America, released in March 1979, which reached number 3 in the UK[16] and number 1 in the United States and Canada and spawned four successful singles (more than their first five albums combined): "The Logical Song" (no. 6 U.S., no. 7 U.K.), "Goodbye Stranger" (no. 15 U.S., no. 57 U.K.), "Take the Long Way Home" (no. 10 U.S.), and "Breakfast in America" (no. 9 U.K.). In March 1979, the group embarked on a 10 month 120 date tour for Breakfast In America that required 52 tons of gear, 10 miles of cable, $5 million worth of equipment and a 40 man crew.[citation needed]
The tour broke all previous concert attendance records in Europe and
Canada. Upon this tour's conclusion, the band members decided to take a
rest from touring and recording for a while.
To avoid an overly lengthy gap between albums during their hiatus, the band put out 1980's Paris, a 2-LP live album recorded mostly at the Pavillon de Paris.[22] It broke the top ten in both the USA and UK.[16][23]
The live version of "Dreamer" was released as a single in the U.S.,
where it reached no. 15, even though the studio version had failed to
even chart there.[17]
At this point, Hodgson moved his family from the Los Angeles area to
the mountains of northern California where he built a home and studio
and focused on his family and spiritual life, while recording a solo
album, Sleeping with the Enemy, which would never be released.[24]
This geographic separation widened the rift between him and the rest of
the group; during the conceptualization and recording of their next
album, ...Famous Last Words...,
Davies and Hodgson found far greater difficulty in reconciling their
musical ideas than they had before, and it was apparent to the rest of
the band that Hodgson wanted out.[24] ...Famous Last Words... was released in 1982, and scored two more hits with "It's Raining Again" and "My Kind of Lady". It peaked at no. 5 in the USA[25] and no. 6 in the UK.[16]
A worldwide tour followed in 1983, during which Hodgson announced he
would not be continuing with the band. Hodgson has stated that his
departure was motivated by a desire to spend more time with his family
and make solo recordings, and that there were never any real personal or
professional problems between him and Davies, as some people thought.[5]
The Davies-led Supertramp released Brother Where You Bound in 1985. The album was a deliberate step away from the pop approach of their last two studio albums,[26][27] and reached no. 20 in the UK charts[16] and no. 21 in the US charts.[17] It included the Top 30 hit single "Cannonball", along with the title track, a 16-minute exposition on Cold War themes highlighted by guitar solos from Pink Floyd's David Gilmour. A 20-minute film of the title track by Rene Daalder was used to promote the album.[27]
1987's Free as a Bird experimented in heavily synthesised music,[28] such as "I'm Beggin' You", which reached number 1 on the US dance charts.[29]
The stylistic change was generally not well-received, however, and the
album itself reached only no. 93 in the UK and 101 in the USA, breaking a
streak of seven consecutive top 100 efforts on the American charts.
In addition to their shift towards less commercially-oriented
material, the band members decided to drop all of Hodgson's compositions
from their setlist in order to further establish an identity separate
from Hodgson.[26]
However, audiences were angered by the omissions of these songs, and
though Supertramp toured again in 1985 using only Davies's compositions,
in 1988 the pressure of their first Brazilian tour drove them to
reintroduce a handful of Hodgson-penned hits to their set.[30]
1988–1996: Eight-year hiatus
After 1988's tour, the group fragmented. Davies later explained,
"We'd been out there for about 20 years just recording and touring and
it seemed time to have a break with no ideas as to if or when we would
come back. We decided not to actually say anything, just sort of fade away like an old soldier."[31]
1996–2002: Reunion and comeback albums
In 1996, Davies re-formed Supertramp with Helliwell, Siebenberg and guitarist/vocalist Mark Hart, who was new to the official lineup but had prominently contributed to Free as a Bird and its supporting tour. Four new members were added as well, bringing the band up to an eight-man lineup.[28] The result of this reunion was Some Things Never Change, a new studio album released in March 1997 that echoed the earlier Supertramp sound[32][28] and reached no. 74 in the UK.[16] In the summer of 1997, Supertramp returned to the road, resulting in the live It Was the Best of Times (1999).
After a three-year hiatus, Supertramp released in April 2002 a new studio album entitled Slow Motion (their last one to date), followed by a 2002 world tour entitled "One More for the Road Tour".
Supertramp continued to play several Hodgson-penned songs during live
shows following their reunion. Hodgson subsequently claimed that when
he had left the band back in 1983, he and Davies made a verbal agreement
that they would not play those songs.[30]
Davies has never publicly alluded to such an agreement, and former
member Dougie Thomson commented "Nobody except Rick and Roger were privy
to that conversation. Rick and Roger had several dialogues that no one
else was privy to. Again, that's hearsay."[30]
This was not just a gentleman's agreement; the publishing company and
contract legally recognize which songs each songwriter actually wrote.
Hodgson has contractual approval rights over the use of his songs and
Davies for his.[33]
2002–2010: Eight-year hiatus
After the 2002 "One More for the Road Tour", Supertramp went inactive
once again. Another attempt to bring Hodgson back into the band failed
in 2005.[34]
In 2008, it was announced that Supertramp's music would be featured in the film adaptation of Irvine Welsh's best-selling novel Ecstasy: Three Tales of Chemical Romance.[35]
In 2009, Hodgson said he could not see a Supertramp reunion ever
happening: "We've looked at it and talked it over... I would never say
never but Rick [Davies] has pretty much retired right now and I'm in the
prime of my life. The reaction I am getting from fans is 'please don’t
reunite'."[36]
2010–2011: 40th anniversary celebration tour
On 21 April 2010, it was announced[37]
that Supertramp would perform 35 concerts in late 2010 in Europe. The
tour was titled "70-10" to commemorate the 40th anniversary of the
group's first release.
In 2010, Roger Hodgson embarked on a solo tour to Australia, New Zealand, South America, Europe, Canada and the U.S.,[38]
and thus was unable to rejoin the band for the 70-10 tour. However, in
response to a fan campaign, Hodgson sent a letter to Rick Davies and had
his manager send one to Davies's management, offering to join them for
select dates during gaps in his tour schedule. Davies's agent notified
Hodgson that his offer was declined.[39]
Hodgson and Supertramp continued to tour separately in 2011.[40][41] Supertramp performed his last 2011 show on 16 July at "Les Vieilles Charrues" Festival, Carhaix, France.
When asked whether Hodgson might appear at any Supertramp concerts,
Davies replied, "I know there are some fans out there who would like
that to happen. There was a time when I had hoped for that too. But the
recent past makes that impossible. In order to play a great show for our
fans, you need harmony, both musically and personally. Unfortunately
that doesn’t exist between us anymore and I would rather not destroy
memories of more harmonious times between all of us."[42]
2011–2015: Four-year hiatus
From July 2011 to 2015, Supertramp went dormant again. Meanwhile,
Hodgson toured his "Breakfast in America World Tour" from 2012 onwards.
On 25 January 2015 at Cirque Royal in Brussels, Belgium, Hodgson
continued his "Breakfast in America World Tour" with a European leg due
to end on 7 September 2015 at Tempodrom in Berlin, Germany)[43]
2015: New European tour
On 3 November 2015 at Gondomar Pavilion, Porto, Portugal,
Supertramp will embark on their first tour in more than four years: a
24-date European tour entitled "Supertramp Forever" including a London
show on 7 December at The O2 Arena and due to end on 11 December 2015 at Ziggo in Amsterdam, The Netherlands.[44]
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